Ali Michael shot by Petra Collins for Oyster Magazine.

"I understand, all right. The hopeless dream of being—not seeming, but being. At every waking moment, alert. The gulf between what you are with others and what you are alone. The vertigo and the constant hunger to be exposed, to be seen through, perhaps even wiped out. Every inflection and every gesture a lie, every smile a grimace.

Life trickles in from the outside, and you’re forced to react. No one asks if it is true or false, if you’re genuine or just a sham. Such things matter only in the theatre, and hardly there either. I understand why you don’t speak, why you don’t move, why you’ve created a part for yourself out of apathy. I understand. I admire. You should go on with this part until it is played out, until it loses interest for you. Then you can leave it, just as you’ve left your other parts one by one."

Ingmar Bergman, Persona (1966)

(Source: splitterherzen)


Mastbos, Breda, Netherlands.
Photography by Sonja Krzeminski

Fuga na cerných klávesách [Fugue on the Black Keys] (1965) - Drahomíra Vihanová

(Source: arthuryanthar)

Waiting to go out like damn I got ready too early


Roberto Ferri. I CAVALIERI DELL’APOCALISSE (The Horsemen of the Apocalypse). 2011.


Roberto Ferri. I CAVALIERI DELL’APOCALISSE (The Horsemen of the Apocalypse). 2011.

(Source: we-love-rain)

(Source: fromasia-withlove)

by 고정삼

by 고정삼

(Source: maengho)


Trippy, Dax Norman

La Pointe Courte (dir. Agnès Varda – 1955)
Persona (dir. Ingmar Bergman – 1966)
Mulholland Dr. (dir. David Lynch – 2001)
Hable Con Ella (dir. Pedro Almodovar – 2002)
The Silence (dir. Ingmar Bergman – 1963)


Hit me up if you live in Seoul because I’m moving there on Sunday and would love to meet new people. Off to the land of ridiculously expensive coffee and stick skinny people! (But also the best food and the best nightlife.)

Anonymous asked: What is your usual Sunday routine?

My answer is boring! I don’t really have any routines ever, but I go to church on Sundays. Aside from that, I might go to the movies bc it’s usually a chiller day for me.

Jamie xx - Sleep Sound


Caetano Veloso en hable con ella

Talk to Her by Pedro Almodóvar. I can’t think of the last time I saw a film in which the characters are treated so lovingly, without judgment. And this song oh my God.